30 June 2022
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Fleur Feeney

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Warm, fuzzy and over-the-top: the best of Netflix’s festive favourites

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By Lauren Taylor | I confess, I am obsessed with the cringe, over-the-top Christmas films that Netflix produce every year. They are the best form...

Creative Voices: Caul of the sea

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By Ellianna Manville | According to legend I cannot drown. Someone perhaps more sensible would take that, not as fact, but as a vaguely...

Ambitious and controversial: The Crown season 4 takes a daring turn

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Season 4 is a seismic shift from safer climes to a daring, icy wilderness fit for bewildering times. By Adam Newman | The Crown has become...

Keep dancing: some Strictly sparkle is just what we need right now

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By Lauren Taylor | Every Saturday night from October to December, I get into my comfy clothes with a cup of tea in hand (maybe...

I’m Thinking of Ending Things: making sense of the nightmare

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By Ollie Bradfield | This review contains spoilers. “Directed by Charlie Kaufman” was all I needed to see in the trailer to get excited about...

The wonderfully frightening world of Hanatarash

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by Beatrice Steele | In 1985, a Japanese noise band staged one of the most memorable and controversial gigs in the history of music. The...
hand reaching into flowers

Creative Voices: Introspection for Eighteen

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by Danny Wakely | cw: mention of blood and injury. Introspection for Eighteen You permeate As though attached to me Still at the hip. Severed arteries to rip myself...

Forgotten freelancers: the arts industry professionals who have been left behind

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At the start of the pandemic, the Chancellor of the Exchequer, Rishi Sunak, famously said that no one would have to face COVID-19 alone,...